According to biography.com
Nat King Cole Biography
byname of Nathaniel Adams Cole , family name originally Coles
Singles 1946 I Love You 1948 Nature Boy 1950 Mona Lisa 1951 Too Young 1951 Unforgettable 1953 Pretend 1954 Answer Me, My Love 1957 Ballerina 1957 Send For Me Albums 1957 Love Is the Thing 1958 The Very Thought Of You 1958 To Whom It May Concern 1958 Welcome To The Club 1962 Nat Cole Sings/George Shearing Plays » More
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The Nat King Cole Society official Web site
(born March 17, 1917, Montgomery, Alabama, U.S.—died February 15, 1965, Santa Monica, California) American musician hailed as one of the best and most influential pianists and small-group leaders of the swing era. Cole attained his greatest commercial success, however, as a vocalist specializing in warm ballads and light swing.
Cole grew up in Chicago where, by age 12, he sang and played organ in the church where his father was pastor. He formed his first jazz group, the Royal Dukes, five years later. In 1937, after touring with a black musical revue, he began playing in jazz clubs in Los Angeles. There he formed the King Cole Trio (originally King Cole and His Swingsters), with guitarist Oscar Moore and bassist Wesley Prince (later replaced by Johnny Miller). The trio specialized in swing music with a delicate touch in that they did not employ a drummer; also unique were the voicings of piano and guitar, often juxtaposed to sound like a single instrument. An influence on jazz pianists such as Oscar Peterson, Cole was known for a compact, syncopated piano style with clean, spare, melodic phrases.
During the late 1930s and early ’40s the trio made several instrumental recordings, as well as others that featured their harmonizing vocals. They found their greatest success, however, when Cole began doubling as a solo singer. Their first chart success, “Straighten Up and Fly Right” (1943), was followed by hits such as “Sweet Lorraine,” “It’s Only a Paper Moon,” “(I Love You) For Sentimental Reasons,” and “Route 66.” Eventually, Cole’s piano playing took a backseat to his singing career. Noted for his warm tone and flawless phrasing, Cole was regarded among the top male vocalists, although jazz critics tended to regret his near-abandonment of the piano. He first recorded with a full orchestra (the trio serving as rhythm section) in 1946 for “The Christmas Song,” a holiday standard and one of Cole’s biggest-selling recordings. By the 1950s, he worked almost exclusively as a singer, with such notable arrangers as Nelson Riddle and Billy May providing lush orchestral accompaniment. “Nature Boy,” “Mona Lisa,” “Too Young,” “A Blossom Fell,” and “Unforgettable” were among his major hits of the period. He occasionally revisited his jazz roots, as on the outstanding album After Midnight (1956), which proved that Cole’s piano skills had not diminished.
Cole’s popularity allowed him to become the first African American to host a network variety program, The Nat King Cole Show, which debuted on NBC television in 1956. The show fell victim to the bigotry of the times, however, and was canceled after one season; few sponsors were willing to be associated with a black entertainer. Cole had greater success with concert performances during the late 1950s and early ’60s and twice toured with his own vaudeville-style reviews, The Merry World of Nat King Cole (1961) and Sights and Sounds (1963). His hits of the early ’60s—“Ramblin’ Rose,” “Those Lazy, Hazy, Crazy Days of Summer,” and “L-O-V-E”—indicate that he was moving even farther away from his jazz roots and concentrating almost exclusively on mainstream pop. Adapting his style, however, was one factor that kept Cole popular up to his early death from lung cancer in 1965.